ARC Review: Borne by Jeff VanderMeer

Borne by Jeff Vandermeer

Genre: Sci-Fi / Post-Apocalyptic

Publisher: Fourth Estate, 15th June 2017

My Rating: 

Synopsis: A ruined city of the future lives in fear of a despotic, gigantic flying bear, driven mad by the tortures inflicted on him by the Company, a mysterious biotech firm. A scavenger, Rachel, finds a creature entangled in his fur. She names it Borne.

At first, Borne looks like nothing at all― a green lump that might be a discard from the Company. But he reminds Rachel of her homeland, an island nation long lost to rising seas, and she prevents her lover, Wick, from rendering down Borne as raw genetic material for the special kind of drugs he sells.

But nothing is quite the way it seems: not the past, not the present, not the future. If Wick is hiding secrets, so is Rachel―and Borne most of all.

My Review

Thanks to my aunt who kindly lent me this ARC copy!

If you’re someone who needs answers immediately when reading a book or watching a film, someone who, when something unexplained happens, asks, “Why did that happen?” or “Why did they say that?” instead of waiting a few more chapters or 15 minutes more to find out, or someone who is not content with ever knowing the answers at all, then this is not the kind of book for you.

However, if you’re someone who likes a bit of ambiguity, who likes to be confused in a good, page-turning kind of way, then Borne is for you.

I read Jeff VanderMeer’s The Southern Reach Trilogy a few years ago and devoured each book one after the other. Usually, I leave a bit of a gap between books in a series if the series is already complete. However, I had so many questions, I needed to keep reading. That trilogy was fantastically creepy, suspenseful, horrifying and twisted. So that should give you a good idea of what Borne is like.

Borne, I would say, is the slightly calmer younger brother of The Southern Reach Trilogy. It’s still totally bizarre and full of some very creepy creations, but whereas that first trilogy was a full-throttle Sci-Fi Horror, Borne is more of just a Sci-Fi with a touch of Horror.

And immediately, the opening to Borne totally confused me. I had to go back and re-read sections because VanderMeer writes very intricately, yet with a throwaway attitude whereby he drops names of creations and places as if to say, “Keep up.” However, after the first twenty or so pages, I quickly settled into the rhythm and was captivated. VanderMeer has crafted a weird and wonderful story, with a bit more humour than his previous series, but with no less strangeness.

The story is narrated by Rachel, a young woman scavenging in a ruined city. She doesn’t quite know how she got there, but knows she travelled a dying Earth with her parents in search of salvation. Rachel lives with a man called Wick, who is a drug dealer of sorts, selling bits of ‘biotech’ to make a living. This crumbling city is haunted by a massive, murderous bear known as Mord. (Yes, you did read that right). One day, whilst searching Mord’s fur for bits to scavenge, Rachel finds a glowing blob that she takes home and calls Borne. She assumes it’s a strange plant, but it soon becomes apparent that Borne is much more.

Rachel herself is a great protagonist. Strong, hardened, but with a softness brought out in her by Borne. Borne, however, is the real star of the show, as the title would suggest. I won’t spoil what Borne is or much about him, but he’s a brilliant character. Innocent and funny, yet also deeply unnerving. He was crafted excellently and was easy to connect to, despite the fact he’s not even human. 

Wick was an odd character, but I ended up also liking him. I would say Wick is the most complex; you never really know what he’s thinking. He’s very flawed, yet clearly caring. I liked the dynamic the three characters had: Rachel, Borne and Wick. Despite the setting being just downright odd, the characters felt entirely real and relatable. 

And trust me, the setting is strange. It can be hard to imagine at times, but I find that VanderMeer manages to pull off describing these weird places. Whilst all my questions weren’t answered about the setting, I didn’t mind, and VanderMeer is able to write a setting and story shrouded in a bit of mystery, instead of feeling like he just couldn’t be bothered to tie up loose ends or have any reasoning behind particular aspects. The ending left me wanting to know more, but it didn’t feel incomplete. After The Southern Reach Trilogy, I have come to expect that VanderMeer likes to leave you guessing, and to leave parts open to interpretation. That works well for his novels, because any answers might actually ruin it in that they don’t feel right, or they feel anticlimactic.

For a while whilst reading, I compared Borne to The Southern Reach Trilogy and thought I liked the trilogy better as it was grittier and darker. However, thinking about it, Borne is totally its own entity and I shouldn’t compare it. Borne is a slightly ‘lighter’ read, and for that I found it had a little more meaning behind it rather than just being a brilliant idea. It’s a novel about loss and human nature, and can be quite moving at times. Not in the totally bleak and terrifying way of The Southern Reach Trilogy, but in a more bittersweet way.

If you haven’t tried any of VanderMeer’s books, I really recommend you do. If you’re not a Sci-Fi fan, and you’re scared easily, then you should probably skip them, but otherwise don’t be put off. They’re brilliantly imagined, entirely vivid and unique, and such gripping reads. Borne might be a softer introduction, but I honestly think VanderMeer has earned his place as one of my favourite authors, and I really look forward to more of his novels in future.

Have you read any of VanderMeer’s books? What did you think of them? Do you want to read Borne? Let me know in the comments below!

 

 

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Review: How Not To Disappear by Clare Furniss

How Not To Disappear by Clare Furniss

Genre: Young Adult Contemporary

Publisher: Simon and Schuster, 2016

My Rating: 

Synopsis: Our memories are what make us who we are. Some are real. Some are made up. But they are the stories that tell us who we are. Without them we are nobody.

Hattie’s summer isn’t going as planned. Her two best friends have abandoned her: Reuben has run off to Europe to ‘find himself” and Kat is in Edinburgh with her new girlfriend. Meanwhile Hattie is stuck babysitting her twin siblings and dealing with endless drama around her mum’s wedding. Oh, and she’s also just discovered that she’s pregnant with Reuben’s baby.

Then Gloria, Hattie’s great-aunt who no one even knew existed, comes crashing into her life. Gloria’s fiercely independent, rather too fond of a gin sling and is in the early stages of dementia. Together the two of them set out on a road trip of self-discovery — Gloria to finally confront the secrets of her past before they are erased from her memory forever and Hattie to face the hard choices that will determine her future.

My Review

I bought How Not To Disappear with my final fiver at YALC last year and, overall, I’m glad I did. This was an interesting and unique addition to the YA Contemporary genre and definitely left me guessing.

For a start, it reads a little like a mystery. Hattie, pregnant by her best friend Reuben, finds a distraction from her worries when she learns of her great aunt, Gloria, who has the onset of dementia and wants to tell her story to one of the few living relatives she has left.

The story is actually written from two POVs, with Hattie and Gloria our narrators. Hattie narrates more, and Gloria’s chapters are used mainly to recount her story. I found this alternating POV quite refreshing in a YA novel. Usually, if there is more than one narrator, they will both be young adults. Yet here, we have one in her late teens and the other in her 70s (I think, I can’t remember if we ever learn her exact age). However, Gloria’s chapters, whilst they are her recounting her teens, her narration often slips into the voice and mindset of teenage Gloria. So, for anyone who is reading this review and worries Gloria’s chapters will be boring and ‘old’, they’re not. After all, Gloria is still very much the same spirited woman with a temper, she’s now just wiser and more worldly.

I liked both Hattie and Gloria, although Hattie did grate on me sometimes. In an effort to distract herself from making a decision on keeping or terminating her pregnancy, she constantly pushes Gloria with quite awkward and probing questions. Gloria’s story is not an easy one to swallow, and from the start it’s clear she’s a woman with a lot of barriers, and just agreeing to tell her story to her long-lost great niece is a big step for her. As such, I thought Hattie could be quite rude and pushy. I know she has her own things to think about, but it doesn’t mean Gloria’s very personal life story shouldn’t be taken seriously.

Gloria, on the other hand, was also rude, but I found it amusing. She has these barriers up for a reason and, in all honesty, I was more interested in her story than I was in Hattie’s. And whilst she was rude, she was also fierce, caring, wise. I really liked her.

As I said, the format was interesting and unique – a teenage girl going on a road trip with her great aunt to find ‘the end’ of the story. I became engrossed in both sides of the story: Hattie’s friendship with Reuben and her indecision with regards to the pregnancy, and Gloria’s dark past.

Let me just say, if you’re expecting a romance in this book, then don’t hold your breath. However, I was glad there wasn’t really a romance; that was another aspect of this YA Contemporary that was refreshing. It was very much about the two women and their decisions, not the men in their life. Besides, I wasn’t a fan of Reuben. He was selfish and thought he was god’s gift (which he really wasn’t). I also wasn’t sure why Hattie even wanted him as a friend to begin with.

The other characters we meet along the way are generally interesting, but mostly only if they’re connected to Gloria’s story, if I’m honest. As I mentioned previously, this book is also a bit of a mystery, and I didn’t guess the majority of its twists and turns correctly, which I was glad about. The characters are weaved well into these twists and reveals, which kept me reading.

The writing was generally good. Nothing exceptional, but it wasn’t horrendous, it was just normal. However, I don’t think the proofreader did an amazing job with this book. There were quite a lot of missing words etc. that I picked up on, which could be a little jarring. Despite these little hiccups, the story was still moving, and I found myself tearful towards the end. It’s definitely what I would call a ‘mature YA’, due to its one teenage narrator and one adult narrator, and the topics it deals with. I did think the pregnancy dilemma was handled well. It was perhaps a bit frustrating sometimes as Hattie wouldn’t face up to the reality of it, but I suspect that’s more just to do with me and what I know I’d do in her situation.

So, all in all, this was a refreshing addition to the genre, and I recommend it if you’re not a huge contemporary fan. I’m not, and this still interested me enough to keep reading. It wasn’t all floaty and airy like some YA Contemporary’s can be, nor was it overdone with romance. Instead, it was unique, sometimes dark, sometimes hopeful, and definitely worth a read.

Have you read How Not To Disappear? What did you think? Or do you want to read it? Let me know in the comments below!